you're better than i remember you being :damn:
depape this takes a really fucking long time to go anywhere and while it's got a cute melody i'm not sure it's enough to really HOLD IT for as long as you want it to. it keeps feeling like it's going to BREAK INTO SOMETHING and it never does and it's not really interesting enough to justify the length. add some SIDECHAIN KICK and dub sirens or some shit i don't know.
progrenerererrreew/e this unfolds much better than depape and even though it never really goes anywhere it still changes a lot more often so it stays engaging. i dig this.
smet i think what you need overall is stronger melody. like at :45 i was totally expecting some crazy arp to kick in and start fucking everybody up but it didn't and i was a little disappointed. i kind of get that this stuff is probably supposed to be more rhythm-oriented but STANDARD 4/4 is really hard to do anything good in even with filtered wub errywhere. it's better than depape and it's not BAD it's just not very MEMORABLE i don't know maybe it's not supposed to be :diss:
im not gonna touch the collab tracks because im not gonna touch the collab tracks
addition i'm digging this a bun--okay why is the voice entirely in the left channel and why aren't you doing anything interesting with it goddamnit son don't have vocals in electronic music if you're not DOING SOMETHING with them. this was a neat song i enjoyed it
wubverse MONO SEVENTH(?) PADS YES. they make every song better. i'm not liking this melodic progression it feels kind of generic. i am LOVING THE PADS though. i don't know this whole thing should be major key or something. i want PENTATONIC DUBSTEP. i like the wub. the beat isn't very good.
piano x is nice i think you're better at electronic stuff. make some chill instrumental hiphop or some shit.
for you PIZZA CATS. this gives a really nice atmosphere. i can totally envision this in an adventure game. i want to criticize the string dynamics later in the song though, especially the random HIGH notes that just PLAY and then stop. it feels too much like a lazy MIDI conversion with a shitty soundfont or something
hdear: and doesn't do the rest of the song justice.
bloss i don't know what a bloss is but it's a GREAT WORD. that's a nice clarinet AWW JEAH THERE WE GO. this is tight. the kick is a BIT TOO HIGH-PITCHED and sounds weird. the filtering at like 2:36 hurts my ears bump volume down a bit and/or EQ when you do shit like that.
mock robster liking this a lot all the gated stuff is neato and the percussion is minimal but really nice so far. oh shit this is a fantastic buildup WHAT'S COMIN WHAT'S COMIN GETTIN READYYYYY AAAAAAND it's nothing why is it nothing. unfilter those drums son what is wrong with you.
gonna stop there since that's A YEAR'S WORTH OF SONGS or something (also because i'm lazy). i think overall you should write more stuff that involves PIANO, like piano with minimal glitchy percussion (kind of like this but less minimal piano and maybe also some other stuff) because you're better at piano than you are at dance and the world has enough dance musicians and not enough (original) pianists. i think ALSO you should do some COMPLEX DRUM PROGRAMMING EXPERIMENTS because your beats aren't as good as they should be.
:time:
depape this takes a really fucking long time to go anywhere and while it's got a cute melody i'm not sure it's enough to really HOLD IT for as long as you want it to. it keeps feeling like it's going to BREAK INTO SOMETHING and it never does and it's not really interesting enough to justify the length. add some SIDECHAIN KICK and dub sirens or some shit i don't know.
progrenerererrreew/e this unfolds much better than depape and even though it never really goes anywhere it still changes a lot more often so it stays engaging. i dig this.
smet i think what you need overall is stronger melody. like at :45 i was totally expecting some crazy arp to kick in and start fucking everybody up but it didn't and i was a little disappointed. i kind of get that this stuff is probably supposed to be more rhythm-oriented but STANDARD 4/4 is really hard to do anything good in even with filtered wub errywhere. it's better than depape and it's not BAD it's just not very MEMORABLE i don't know maybe it's not supposed to be :diss:
im not gonna touch the collab tracks because im not gonna touch the collab tracks
addition i'm digging this a bun--okay why is the voice entirely in the left channel and why aren't you doing anything interesting with it goddamnit son don't have vocals in electronic music if you're not DOING SOMETHING with them. this was a neat song i enjoyed it
wubverse MONO SEVENTH(?) PADS YES. they make every song better. i'm not liking this melodic progression it feels kind of generic. i am LOVING THE PADS though. i don't know this whole thing should be major key or something. i want PENTATONIC DUBSTEP. i like the wub. the beat isn't very good.
piano x is nice i think you're better at electronic stuff. make some chill instrumental hiphop or some shit.
for you PIZZA CATS. this gives a really nice atmosphere. i can totally envision this in an adventure game. i want to criticize the string dynamics later in the song though, especially the random HIGH notes that just PLAY and then stop. it feels too much like a lazy MIDI conversion with a shitty soundfont or something
hdear: and doesn't do the rest of the song justice.bloss i don't know what a bloss is but it's a GREAT WORD. that's a nice clarinet AWW JEAH THERE WE GO. this is tight. the kick is a BIT TOO HIGH-PITCHED and sounds weird. the filtering at like 2:36 hurts my ears bump volume down a bit and/or EQ when you do shit like that.
mock robster liking this a lot all the gated stuff is neato and the percussion is minimal but really nice so far. oh shit this is a fantastic buildup WHAT'S COMIN WHAT'S COMIN GETTIN READYYYYY AAAAAAND it's nothing why is it nothing. unfilter those drums son what is wrong with you.
gonna stop there since that's A YEAR'S WORTH OF SONGS or something (also because i'm lazy). i think overall you should write more stuff that involves PIANO, like piano with minimal glitchy percussion (kind of like this but less minimal piano and maybe also some other stuff) because you're better at piano than you are at dance and the world has enough dance musicians and not enough (original) pianists. i think ALSO you should do some COMPLEX DRUM PROGRAMMING EXPERIMENTS because your beats aren't as good as they should be.
:time:
