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soulja boy

*Gag*
I dont understand people todays obsession with empty meaningless music like this, thankfully its just another trend song that'll fade away in a few months. Thank god.
 

Kojo

Member

I swear if I hear this song one more time, I will snap. It was playing in every room EVERY ROOM of the high school. Even from MY TEACHERS COMPUTER. I swear. I'm on the edge. I will do something most regrettable.

you all must not dance a lot. most of the songs i heard from soulja boy seem to just be like party or club songs. Even if his rap skills arent all that good in his music. it is still good music. to me atleast.

This is not dance music. I can waltz, I can tap, I can breakdance, I can swing. What kinda dance do you do to this besides slouch around and grab at yo sack, foo'?! It just ain't gunna cut fo' this brutha? Y'all diiiig?

(excuse the 90's street it just popped out)
 
Y'know there's several different versions out, such as Crank that Spiderman, Batman, Roosevelt, Jump Rope, Megaman, and Spongebob is the only ones I know
 

Monk

Member

R.I.P. Real Hip Hop
1973-2000
You began with DJ Kool Herc and ended with "Big Pimpin". You will be missed.

After 2000, the lyrics have taken a nose dive, and today, they are so atrocious that I literally can't listen to it. I walk out of the room if any of this garbage is playing. And this isn't coming from one of those metalheads who hate anything that doesn't have a guitar in it, this is coming from someone who is a HUUUUUUUUUUUUGE fan of rap and old school hip hop.
 
Freakonaleash;283314 said:
*Gag*
I dont understand people todays obsession with empty meaningless music like this, thankfully its just another trend song that'll fade away in a few months. Thank god.
Nine inch nails is better?

This song is...bearable, somewhat.
I find the music video entertaining.
 

Anonymous

Guest

Monk;284614 said:
R.I.P. Real Hip Hop
1973-2000
You began with DJ Kool Herc and ended with "Big Pimpin". You will be missed.

After 2000, the lyrics have taken a nose dive, and today, they are so atrocious that I literally can't listen to it. I walk out of the room if any of this garbage is playing. And this isn't coming from one of those metalheads who hate anything that doesn't have a guitar in it, this is coming from someone who is a HUUUUUUUUUUUUGE fan of rap and old school hip hop.

protip: go underground sortof. there's weird ABSTRACT HIPHOP

dose:
folding folding hues folding deep thin air devoured its seeding a droplet sears the stillness of space dissolved
narry aflicter wavers its light breath seeping through shapes solved heaving about shade after been shaved
gentials swimming formless nature of nature busting in flames
growing silent fury of element glowing eternity ripples reaching for capture found oxygen needy of oxygen
folding hues of perfect white silk in flowing a gentile-yellow overlaps ?apolvaultsintherep?
past dancing edges ?orange? by fusing the warm casing of winds spinning shadows between the fragile billion of its shed and passionateer
dust roaring tender toward immortal brains replenished to brinks dissappeared prisoner to its purity and nothing more
prisoner to its pure

sole:
im tired of being hard headed being in sweated bedded with my past self regretted had to ?used to chill?
climbin down the molehill of made of my inate and a child still laughing but the future isnt as bight at the parliament
evidence is not a problem
?i've been up here? since the days of shakespeare
my poems pour problems
heres to what ive become
the sun will always be there to provide some inspiration
until im a figure in a museum
i remain in the amusment of ??? and evasion
remove my finger from your chest
these words were not made to seal your ?liberts? of ignorance
if the sludge was ever left i'm emphatic inadequate in this till i can once again become fathomed
wish i could grasp my torso but it slips through my hands like my hands
it all comes hand in hand with primitive grip by there i grope
angrily bubbling its changing me my whole outlook
hey ma look at me no form!
?? on the notebook
im not the man i was on my last endeavor
the rest of you shut up
i lack the ability to pull myself back together

chorus

nature of nature bursting
the sun will always be there to provide some inspiration
clarifying cobwebs and corners give me that warm feeling
contained chaos replaced with natural gracefulness

alias:
being surrounded by wax you'd swear i was a dj
even in this nocturnal life i never see the light of day
(so may) i wander through my enwrapped body to try and find
the pinnacle of my presence my totally pure state of mind
overtalk gets cheated
only in darkness i am truly living for my immediate partner for the light
he was born forgiving
standing tall and thin you cant really make out my mask
the life span i was handed is desparing depressingly fast
ive seen 40 nights but i cant recall any days
my peak is starting curled connecting with the wind, it sways
i interact with my co-horts who illuminate various spaces
masters, meeting my match on a regular basis
i wait while the second hand keeps moving and stopping
surrounding cylinders are quickly dripping and sopping
feeding puddles in which i envisioned my own reflection
growing closer to the ground level section by section
previously i stood erect how i long for a dusk or dawn of yesternight's
witnessing peoples rights
and peoples wrongs
symphony playing in the background to elevate my mood, i compact
becoming well aware that my ending existence is a fact
thoughts flash back a being closer to the ceiling
clarifying cobwebs and corners give me that warm feeling
feeling cheated for all the energy i relinquish
near my dying cry as my soul is slowly extinguished

slug:
you can count on me to hold steady let end and drip
down can count on me whenever youre ready to shed a glimpse
of light on whatever the situation is
the contained chaos replaced with natural gracefulnes
ive felt em come and go you aint different then the rest of them
different colors different scented ones
nothin changes but the auroa and i only notice a slight renderin
and it secures my existence my usefulness depends on em
im immobile inanimate a feeble decoration
for this inadequate planet i took no part in creatin
so i make my reality
consume my space
to play an intricate role behind those shadows on your face
foundation never needed to be the shine
illumination i'm content with my place and time
affilitaion reap desire hunger for solidarity
traces of your visit and depart your scattered
my heart is matted with your remains
but nothing matters next to the fact is fashions just how we're arranged
its all deranged how your smile's really a frown
cuz once you burn up melt down
i'll still be around
its like that

chorus

nature of nature bursting
the sun will always be there to provide some inspiration
clarifying cobwebs and corners give me that warm feeling
the contained chaos replaced with natural gracefulness

dose one:
out for the view..
i can gather myself once as a very fairly small human,
mouth made out of glass. i am my habitat,
antidote and what ripped his face off wasn't even a pain killer,
faceless and a boyish numb uncomfortable, he can't sit.
artificial day skeleton keeps him up all night (up all night),
puts himself away. he...
a wise man once said, "fuck 'em if they can't take a joke."
there is a me, in every kindergarten, and there is a me,
bigger than a raccoon, smaller than a building, smaller still, smaller still,
afloat with music on..
better feeling, "aw, who you tellin'!"

"everything happens for a reason.
i promise to never get paint on my glasses again.
"you can't rip art 'cause it's just art."
the blood, the ink, ahh yes, the ink can bury a blade.
is this not the end of a blizzard twice the size of a rain cloud gone bad?
i'm burning puddle after puddle after puddle..."

i wonder what my mother looked like pregnant,
i've classified water damage as art.
ruining things, trilobite out on the town painting things,
in accordance with my weird ordinance.
my style is glass cutter, delicate/intense.
why, i haven't the mind for books,
shooting out the moonlight with my tongue,
depression in a vacuum. chest pains and violent nightmares,
brought me to this patch of grass and sun.
beauty is in the dead bolt,
i'm a lonely frontier boy, sordid terminal man.
primitive doll making and suspicious plant eater ogling at the magnetism.
a nibbler with cheap shades on and no contacts in.
pack leading nuissance with a way with kids, open envelope..

"bringing sand to the beach" cutting off...
"the difference between motion and action" moving out...
"bringing sand to the beach"

watching all the book toe be get quiet,
'til we both avoid eye contact together,
running into sitting people i sold tickets with.
i'll have one of your finest coffees
and a table for one in the dark.
writing on the bag i bought stuff in...

sole:
all these suckers today

dose one:
phone calls tomorrow

sole:
take out the garbage

dose one:
briefcase with issues

sole:
i am my name tag

dose one:
a party with loans out

sole and dose one:
credit! be or be broken, let artists clear stables.
i don't make up the check!
words, i just live here,
same stuff, different part of the mess.

sole:
disowned collection, joined metronome, leave monotone alone,
i am the master of the works and all their whereabouts.
portable leash for the implement, grand unveilment.
if the chisel breaks, it's got to be loud enough to sustain the builder.
we..

dose one:
oooffff...talk it out,
token go getters go get it enamored with something to..ughhhhh...
risk in the winning folk, subtle yet solemnly..ahhhhh..
extinction of saturdays inward to inward.
its confidence, i'll work for now...yeaahhhh...

sole:
i open the doors with no physical force.
zip codes ain't permanent, i can roam 'em all simultaneously.
real hard work comes easily, invest carefully.
rest this weak spell, a recipe, on the travel i broke the rulers.
dancing with no shoes across this everyday stage,
these everyday non-coincidence brought about by
living and doubting nothing special.
we need a real war, give me a field, a field day
and i only have time for explosions.

dose one:
sleeping baggage, cat in my lap, a card at play,
help to a promise, dove in the subway.
loose change, in held, loose leaf, dormat.
wearing the fake nose glass, mustache..
hide behind this blade or under this sky,
it's like in the movies except for no ending.

sole:
yeah, i urinate in a cup for the art of it,
and you'll dissect all of it.

dose one:
i water storage, poet like desert.

sole:
there's a lightbulb in my skull that dies everytime i try to look down or rest.

dose one:
all cat owner can do is laugh at circus material.

sole:
never want to open my eyes, the world only furthers my argument.

dose one:
in searching for the perfect flat, i feel so concerned.

sole:
nobody wins, you're all walking pictures of foot in mouth.

dose one:
although a unicorn ride would charm.

sole:
let's call it hip hop, you don't got to be innercity or inbred.

dose one:
or clear my skies like desert.

sole:
i'm in the state of "yo," my peeps, they gather at the borders.

dose one:
waiting up all night for bills.

sole:
if this is supposed to be a revolution, where are my..? why don't you just..?

dose one:
one man's floor is another man's floor with a pillow on it.

sole:
and sure, the invisible enemy is a thirteen year old computer hacker.

dose one:
times are hard, keeping a fish tank alive is harder.

sole:
and i'm supposed to be some sort of anti-christ.

dose one:
people like me most happy.

sole:
well if that's true, why am i hellbound at the pearly gates?

dose one:
the spoon king in the soup, drought like desert.

both:
it's all the same shit but they call it clouddead,
i only got two hands and half a head..

and there's other cool semi-mainstream stuff like COMMON and TALIB KWELI and A TRIBE CALLED QUEST. good hiphop isn't dead; mainstream hiphop is largely dead. then again i've never been a huge fan of mainstream hiphop so idk.
 
Freakonaleash;283314 said:
*Gag*
I dont understand people todays obsession with empty meaningless music like this, thankfully its just another trend song that'll fade away in a few months. Thank god.

Yes, meaningless, but it's just a dance. It gives people who can actually do this dance something to laugh at when people try to it. It's basically a song to play at parties. It's just something to dance to. I don't pay attention to lyrics until the actual noise gets boring.

It teaches people to do a dance that's popular at parties.
 
To me everyone, I don't care who you are, has a certain way of expressing themselves, I think Crank Dat Soulja Boy is just him doing what he likes to do to express himself.
 
Rap is like porno nowadays, lots of trash, not so many of the good stuff...wow that sounded...wrong.
But yeah, Rap is pretty much beeing sucked up because of the money and rap isn't good anymore. This Soulja Boy shit proves it.

Lyrics
Soulja Boy up In This Hoe
Watch Me Lean And Watch Me Rock
Super Man Dat Hoe
Then Watch Me Crank Dat Robocop
Super Fresh, Now Watch Me Jock
Jocking On Them Haterz Mayn
When I Do Dat Soulja Boy
I Lean To The Left And Crank Dat Thang
(Now YOOOOUUUU)
I'm Jocking On Yo Bitch Ass
And If We Get The Fightin
Den im cockin on ya bitch ass
You Catch Me At Yo Local Party
Yes I Crank It Everyday
Haterz Get Mad Cuz
"I Got Me Some Bathin Apes"
You find me any meaning on that and you will be smarter than Stephen Hawkings.
If this could reach #1 on the Billboard Hot 100, everybody is a musician.
And, Club Music you say? I'd drink 'till I couldn't hear, the vocals are pure, annoying noise.
 
Urgh... hideous. Half the girls in my school and 1/3 the guys try to dance to it, now they're doing moronic shuffling things that look like they're epileptic or something down the hallway.

They're so... suburban gangsta.
 
i love how more than half the negative reactions to this dude are saying OMG IS PEOPLE LIKE HIM THAT ARE KILLING HIPHOP MUSIC.. he's not rap, this is snap (dance) music. he's not trying to be the next rakim, so if he wants to talk about robocop and superman in his songs big deal.. he's obviously just a kid having fun.
 
people like it obviously
he apparently likes it obviously
we all have the ability to change the station
nuff said

this isn't hip hop. that's like me saying that rock is being killed by bands like bowling for soup. or death metal and suddenly throwing in rammstein. it's snap. snap's not my thing, but it's not the worse thing in the world, and it's all very much like this in premise.

Lyrics to semi rhyme to sound cool over a descent beat. And honestly the beat isn't that bad.
 

Anonymous

Guest

that's like me saying that rock is being killed by bands like bowling for soup. or death metal and suddenly throwing in rammstein.

only rock is 4000x broader than hip-hop and rammstein isn't death metal by any stretch. hip-hop has much less range and snap music - which is a SUBGENRE (of hip-hop), not an independent style - could easily be seen to be killing perhaps the APPRECIATION of "above-ground" hip-hop, or at least contributing to the death of it. several established hip-hop artists (nas, ghostface killah, etc.) seem to think so.

people who say any style of music is dead are generally the sort of people who don't listen to that style of music in any medium besides what's playing on the radio, or they DO explore the "underground" and are merely referring to mainstream acceptance and/or appreciation. considering just a few short years ago hip-hop was THE MOST POPULAR radio music format (preceded by '90s alternative rock and succeeded by angst-ridden, simplistic pop-punk) and consisted of RELATIVELY INTERESTING things (more interesting than most up-and-coming artists and infinitely more talented), it does indeed seem that rap today is a contest on who can make the most simplistic song and who can make it the most popular.
 
The whole point of bringing up rammstein with death metal was to show the point of bringing up one band and using it as a point to do with a genre it is not in.
And rock was a typo. It was meant to include the word "college" before hand...

But since we brought up subgenres in the explanation...
then... it's like saying Atreyu (postcore) is killing metal. Lamb of God (thrash/groove) is killing metal.
Belly killed alternative.
Belly which was more college rock was under the umbrella of alternative in the 90's. The band was in the subgenre there of, and still the point is just as foolish.

I can go on all day.
Loony Left wing politics killed liberals. Religious Right killed Republicans. Christiandom ruined Christianity. Scientology ruined science fiction. Snap killed off rap. I can go on with the ludicrous assumptions all day. Truth is, people like it and a form of expression can never be ruined outside of those who are partaking it onto themselves, and only on a 1-on-it level.
 
This song is very annoying to me. I'm not a fan of all these 'southern' type song that flood the radio stations today. Apparently, the songs are catchy, and thats all that matters. Same reason a game can have a lame story, but as long as its fun, it will sell.
 

Anonymous

Guest

there is a difference between artists and styles. Atreyu is in no way indicative of the entirety of post-hardcore and Lamb of God is in no way indicative of the entirety of thrash, and anyone who dismisses the genres they are a part of solely because they dislike one particular group that falls under that genre obviously is not looking to explore the genre further. Soulja Boy is in no way indicative of the entirety of snap music. i never said Soulja Boy or D4L or any other snap artists killed or are killing hip-hop; a single artist cannot be that much of a detriment.

i never said NOBODY IS ALLOWED TO LIKE THIS IT IS TOO GAY and i fully understand that people do listen to this and do enjoy it. people enjoy lots of things - the aforementioned angst-ridden pop punk, dripping hot candle wax onto nipples, etc. but what i said about snap music - and crunk - contributing to the demise of the appreciation of hip-hop stands true, if only because of Monk's post.

Monk":2jghsi6a said:
R.I.P. Real Hip Hop
1973-2000
You began with DJ Kool Herc and ended with "Big Pimpin". You will be missed.

After 2000, the lyrics have taken a nose dive, and today, they are so atrocious that I literally can't listen to it. I walk out of the room if any of this garbage is playing. And this isn't coming from one of those metalheads who hate anything that doesn't have a guitar in it, this is coming from someone who is a HUUUUUUUUUUUUGE fan of rap and old school hip hop.

i take this as meaning "i like hip-hop, i've enjoyed it for a while, and i think the direction mainstream hip-hop is taking today is terrible." i know many people who think the same way - the type of hip-hop they knew and loved to listen to on the radio is no more, replaced with a couple of guys standing around a TR808 rattling off simplistic, repetitive, and largely juvenile rhymes with one guy plunking a few keys on a Triton.

regarding my personal dislike for the music - i hold very little regard for music intended solely as DANCING music. i am a huge fan of electronic music but i cannot stand house or trance or dubstep. i am a fairly big fan of certain hip-hop, but i cannot stand crunk or miami bass or rap that focuses on beats and bass rather than lyrical content. there is no purpose to this music as far as i am aware; there is no depth or artistic merit.
 
I'm a party boy, so I love cranking this shit. After some Incredible Hulk and a blunt, I could do that dance all night.

I'll just say this about the controversy, if you don't understand a music genre...shut the fuck up.
 
wishmoo;287218":xj7qjm5f said:
there is a difference between artists and styles. Atreyu is in no way indicative of the entirety of post-hardcore and Lamb of God is in no way indicative of the entirety of thrash, and anyone who dismisses the genres they are a part of solely because they dislike one particular group that falls under that genre obviously is not looking to explore the genre further. Soulja Boy is in no way indicative of the entirety of snap music. i never said Soulja Boy or D4L or any other snap artists killed or are killing hip-hop; a single artist cannot be that much of a detriment.

i never said NOBODY IS ALLOWED TO LIKE THIS IT IS TOO GAY and i fully understand that people do listen to this and do enjoy it. people enjoy lots of things - the aforementioned angst-ridden pop punk, dripping hot candle wax onto nipples, etc. but what i said about snap music - and crunk - contributing to the demise of the appreciation of hip-hop stands true, if only because of Monk's post.



i take this as meaning "i like hip-hop, i've enjoyed it for a while, and i think the direction mainstream hip-hop is taking today is terrible." i know many people who think the same way - the type of hip-hop they knew and loved to listen to on the radio is no more, replaced with a couple of guys standing around a TR808 rattling off simplistic, repetitive, and largely juvenile rhymes with one guy plunking a few keys on a Triton.

regarding my personal dislike for the music - i hold very little regard for music intended solely as DANCING music. i am a huge fan of electronic music but i cannot stand house or trance or dubstep. i am a fairly big fan of certain hip-hop, but i cannot stand crunk or miami bass or rap that focuses on beats and bass rather than lyrical content. there is no purpose to this music as far as i am aware; there is no depth or artistic merit.
I disagree there's been a few stars since then, Lil Wayne, Young Jeezy, T.I. G-unit they're the best rappers out there right now...
 

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