I'm going to use this thread to store my compositions now, I have five of them at the moment. Now I have streaming!
(Beware: the midis seem to throw a fit with some of the stuff I put in. My softsynth coughs a lot during the quartet.)
Tell me what you think please!
(Beware: the midis seem to throw a fit with some of the stuff I put in. My softsynth coughs a lot during the quartet.)
I. Allegro Molto [6/8 in 2. ~144 bpm, F♯ minor (harmonic)]
II. Adagietto [2/2. ~60 bpm, F♯ major] "Rondo"
III. Largo Lacrimoso [4/4 ~60 bpm, F# minor] "Elegy"
IV. Allegro Molto (come prima) [6/8 in 2. ~144 bpm, F# minor (harmonic)] "Burlesque"
The first movement introduces the motif, which is pushed aside for the light-hearted Rondo and the grave Elegy, each which introduce a new motif or two (which are reused in my quartet). The final movement recaps the original 6/8 motif as well as adds more, and ends in a recap of the motif in the instrument's highest octaves. (the last two notes cut off on my computer, though)
Cello Sonata No. 1
II. Adagietto [2/2. ~60 bpm, F♯ major] "Rondo"
III. Largo Lacrimoso [4/4 ~60 bpm, F# minor] "Elegy"
IV. Allegro Molto (come prima) [6/8 in 2. ~144 bpm, F# minor (harmonic)] "Burlesque"
The first movement introduces the motif, which is pushed aside for the light-hearted Rondo and the grave Elegy, each which introduce a new motif or two (which are reused in my quartet). The final movement recaps the original 6/8 motif as well as adds more, and ends in a recap of the motif in the instrument's highest octaves. (the last two notes cut off on my computer, though)
Cello Sonata No. 1
I. Moderato [4/4. ~100 bpm, C Major] "Perpetuo Pizzicato" (second movement of the sonata for cello)
II. Grave-Allegro Molto-Presto [4/4, 2/4. ~50 to 144 bpm, C minor to C Major] (based on the third movement of the sonata for cello)
This piece reuses and expands the themes from the inner movements of my Sonata for Cello. I think that the first movement captures the light spirit that I strove for the first time I used the theme. The second movement starts out with the main themes of the sonata, but eventually picks the pace up for a faster and lighter variation, and ends with 24 measures of C major chords. :3
Note: The melody might start to sound odd around 7"00', there is supposed to be glissando in the melody but it gets lost somehow. The second repetition of that theme should sound better.
Quartet No. 1
II. Grave-Allegro Molto-Presto [4/4, 2/4. ~50 to 144 bpm, C minor to C Major] (based on the third movement of the sonata for cello)
This piece reuses and expands the themes from the inner movements of my Sonata for Cello. I think that the first movement captures the light spirit that I strove for the first time I used the theme. The second movement starts out with the main themes of the sonata, but eventually picks the pace up for a faster and lighter variation, and ends with 24 measures of C major chords. :3
Note: The melody might start to sound odd around 7"00', there is supposed to be glissando in the melody but it gets lost somehow. The second repetition of that theme should sound better.
Quartet No. 1
Andantino-doppio tempo-Largo risoluto [4/4, 2/4, 4/4. ~80, 160, 60 bpm, B minor to Bb minor to B Major]
I tried for an introspective piece on the piano. It symbolizes inner conflict. I have now called it Invention No. 1 because it fits the basic description of the form.
Invention No. 1
I tried for an introspective piece on the piano. It symbolizes inner conflict. I have now called it Invention No. 1 because it fits the basic description of the form.
Invention No. 1
A little suite I wrote for practicing and learning what different chords sound like in different keys. It follows the story of the archetypal tragic hero.
Tragic Hero Suite
Tragic Hero Suite
Tell me what you think please!