wow, well i'm coffee stoned right now and find lots of stuff to improve: new sequences begin too early, the harp echo raises too much of the klischeed ice cavern theme... in general it means i'm too deep in anticipation, so that the song has to be the greatest song ever... immature... aww, nevermind, just doing this for 1-2 years now, don't remember, but good to know, if you make a song take long and often breaks, just to stay impartial, you need to forget, what comes next and simply have to feel the song from anew to detect its flaws... wow, what epiphany, got to go to bed, 6 in the morning now...
EDIT: or am i wrong, what do you think? (sorry if you don#t get it, but i'm really pretty wasted)
ahh and well, i wanted to create a sphere of uncertainty, wanted you to feel to become some fluent form getting absorbed from the ground and make you feel the process of not knowing what happens nxt in this "dream of unknown ending"so i tried to enshroud you with this dream like up and down score on the harp, like wakesleeping, ready to fall on your blindfolded way...
and thats why i called it buried whispers, like you want to listen to what they have to say, but you can#t because they are buried in to deep...
but therefore i need to get deeper, make it more intense, need to make it more atmospheric with less earcatchers, but just a flowing river dragging you down somehow...